R&B CROONER RAHEEM DEVAUGHN wants to get your fists up and your pants down — but not necessarily in that order — on his new album, ‘The Love and War MasterPeace.’

Obviously, the singer — who grew up in Prince George’s County and recorded most of this album there — definitely has political opinions, and he’s not afraid to talk about them. But some of the tracks here are brazenly outspoken, with DeVaughn firing off against politicians, the U.S. government and anyone with a bloodthirsty sense of patriotism.

Ultimately, though, DeVaughn is more of a lover than a fighter, and the plethora of sensual songs on this 16-track release prove that.

All the man wants to do is love a good woman, and he’s full of positive thoughts and supportive beliefs, whether he’s telling women they’re beautiful just as they are (”The Greatness“) or urging them to get away from abusive relationships and stand on their own (”Black and Blue“). In fact, DeVaughn seems more like a feminist on “The Love and War MasterPeace” than any other recent hip-hop or pop star, and yes, that includes Lady Gaga — because even though “Dance in the Dark” name-drops Sylvia Plath, GaGa also sings about taking rides on disco sticks. Fail.

But to prove his street cred, DeVaughn also brings in a whole host of collaborators, some who work and some who don’t. There’s professor and activistCornel West, dropping a few spoken-word tracks about DeVaughn’s awesomeness; rappers Ludacris and Wale, making some songs more radio-ready; and singers Jill Scott, Chrisette Michele (DeVaughn’s cousin) and Citizen Cope helping round out the song’s most political track, “Nobody Wins the War.” But most of the time, all those guest stars seem superfluous: DeVaughn does fine on his own, and though it’s understandable that some of those featured artists are needed to raise his mainstream profile, the songs would probably sound just as good without them.

Take, for example, first single “Bulletproof,” which features Luda: The track is a smooth-sounding, undeniably catchy diatribe against Uncle Sam, the U.S. military and hip-hop’s gangster mindset. With some bluesy touches and gunshot effects in the background (think “Paper Planes“), the song also features DeVaughn’s trademark falsetto as he drops ominous lines like, “Murder your sons, ravish your daughters / Here, overseas and across those waters” and “Politicians can’t help you / They’re just slaves and puppets.” In contrast to DeVaughn, though, Luda’s verse just seems weak, especially when he says, “Lord, help me please, cause I’d rather die / On my feet than live on my knees.” Real original.

Similarly forgettable is Wale’s verse on the album’s third track, “The Greatness” — DeVaughn also shines on that one, as he muses on women’s inner and outer beauty. Though the song has a more mechanical, typical hip-hop sound, it also oozes blatant sensuality, with lines like, “What lies between those jeans on your hips / Is such greatness” and “Victoria holds the secrets to your greatness.” It’s undeniably sexual, but somehow more genuine and heartfelt then your typical lustful track; no riding ponies (ahem, Ginuwine) or stripping activities (oh, Ray-J) can be found anywhere around DeVaughn’s repertoire.

And DeVaughn continues to profess his devotion to love all over the rest of the often-racy album, whether he’s ignoring haters on “I Don’t Care,” confessing his misdeeds but promising to do better on the ballad “Mr. Right” or even talking smack on a girl’s “battery-operated boyfriend” on the risque “B.O.B.” Plus, he makes the most of Malik Yusef, featured spoken-word poet, on the song “Fragile,” where Yusef breaks down his emotions for the woman he loves: “I have a special ring for you / But you should have known that the phone / Don’t have a tone that fits you … Put down our bag while I/ Investigate your swag style / You seem like you taste expensive,” he says, while DeVaughn oohs and aahs in the background. If you’re not blushing, there’s something seriously wrong with you.

The album’s only missteps come in its final two tracks, which try to make up for the former romance and bring the politics all at once. The first, “Nobody Wins the War,” is a noble diatribe against the evils and immorality of war, but the song lasts almost eight minutes and simply drags toward the end, while the second, “Revelations” featuring Damian Marley, just doesn’t match the energy and exuberance of the rest of the album. Other than that, though, the collection is a spectacularly sensual heap of tracks that cement DeVaughn’s talent and creativity.

West says on the album’s intro that DeVaughn is “the greatest soul singer of his generation” — based on “The Love and War MasterPeace,” that claim may not be too far off.

Written by Express contributor Roxana Hadadi
Photo by Nikki Kahn/The Washington Post

JUDAH x Tabi Bonney = “Love Leaves” (Amber Rose Instrumentals)

After 14,000 downloads and numerous postings across the web, the Amber Rose instrumentals are the talk of the town. Now people are ready to drop their own versus to JUDAH’s creation and deliver a new scene of their own.

Rising director and hip-hop artist Tabi Bonney has been the first to publicly drop a verse to the instrumental “Love Leaves” from the seductive set of beats. With visual presentations on MTV and VH1, the lyrical presentation of Bonney on “Love Leaves” is of no light manner.

Listen to JUDAH x Tabi Bonney “Love Leaves”

JUDAH and Bonney recently collaborated on Mick Boogie x Terry Urban Le Da Soul- 20 Years of De La Soul tribute album.

Remixes of some of the most remembered De La Soul albums were delivered by the likes of Talib Kweli, Kardinal Offishall, UNI, Christian Rich and many more.

Download: Judah – Amber Rose Instrumental Mixtape

Download: Judah ft. Tabi Bonney – “Love Leaves” (Remix)

Download: Judah x RAtheMC – “Brenda” (Remix)

Listen Now!

We told you had a new RH Radio player and that we were going to use it.  Last time, RTC programmed the player, slotting in joints from Torro Y Moi, Fashawn, Gil Scot-Heron and others.  Today we give the player over to none other than Raheem DeVaughn, who has programmed his own Valentine’s Day Sexy Slow Jams playlist.  Who better than Mr. February himself to provide you with music to set the mood just right this Sunday? DeVaughn dug into his catalog for the playlist and it also offers a perfect chance to get a refresher course before the March 2nd release of his new LP, The Love & War MasterPeace.

Check out his selections and the thinking behind them below and listen to all the songs in the player at the top of the page.

“Slow Love”: I wrote this song because I think love making should be slow. You should take your time when you are making love

“Breathe”: You need this because when you are taking your time you have to breathe in and out-ya feel me?

“Believe”: Because you have to believe that everything your mate asks you to do is for your benefit.

“Desire (Love Behind The Melody)”: Because on Valentine’s day, there is no anticipation without desire.

“4 Letter Word”: Because on Valentine’s Day there were will be a lot of that word spread around

“Marathon”: Sometimes love can feel this. Some times it begins with a “4 Letter Word”

“Love Drug”: Because the right kind of love can have you hooked like a drug.

“Ask Yourself the Question”: After a long Valentine’s Day, whether it was good or bad, you may find yourself asking a few questions.

“Customer”: This song is self explanatory to me. If you followed the play list then you know that the goal is to satisfy the customer.

Bonus track**

“You”: I chose this track is because on Valentine’s Day, you should be able to tell the person you love that, it’s all about you.

(via http://www.rubyhornet.com/)

What is Cake & Kisses?
————————–
Cake & Kisses is a monthly party that revolves around an “organic open mic”. The jam session is backed by a live band while the mics are opened up to any vocalists, emcees, etc who are in the venue. There is no list, the artists simply vibe off each other. Free cake & Hershey’s kisses are available at every party.

Video of the party: http://vimeo.com/3621047

Cake & Kisses
Thursday, February 4th
@Asylum
2471 18th St. NW
Washington, DC
ft. Phil Ade, Whitefolkz, Godsilla, D-Madness, DJ Jav
Freestyle battle: Rosetta Stoned vs Santos & Andari
$5 | 21+ | 9pm – 1:30am

Posted by Nathan S. on 01/21/10

Over the course of the last five years DMV born and bred singer Raheem DeVaughn has established himself as a leader in the new r&b-soul movement, and he’s preparing once again unleash his unique sound on the world with his upcoming album “The Love & War Masterpeace”. In addition to dropping a new mixtape, “Mr. February a.k.a. March Madness”, Raheeem recently sat down with RefinedHype to discuss his early days in Beltsville, Maryland, his international travels and the source of his inspiration.

RefinedHype: You’re from the DMV area, a region that’s recently begun to get some serious attention as an epicenter of quality music. Why do you think it took so long for the DMV to get the attention it deserves?

Raheem DeVaughn: I think it’s because in any place where you have your own sound that you are trying to define, it takes time. It takes time for people to connect with it especially if you are not willing to conform to what everyone else is doing. It’s normally when what you’re doing becomes cool that’s when it gets noticed.

RefinedHype: How did your early days in Beltsville, Maryland influence your career and music?

Raheem DeVaughn: I can’t say that it did influence me too much. My influence really started once I left Beltsville. A lot of it started when I went away and spent first year in college. When I was younger I was going through the motions of being a regular teenage kid. I did choir and stuff but I was I was kinda shy though. Music became a priority once I graduated and got my diploma – that’s when my fascination with music really developed and I became serious about wanting to be an artist.

RefinedHype: You’ve toured in every country from Japan to Jamaica. What is the most important lesson you’ve learned from all your international travels?

Raheem DeVaughn: That real music is universal no matter the language or dialect—they can feel that energy in the music. If its powerful enough, they can connect with it.

RefinedHype: Where do you go to get inspired?

Raheem DeVaughn: I don’t go anywhere in particular. It depends on the vibe that I am trying to get. I do enjoy the nightlife. It sounds crazy but I will go to a club to think and figure out my next musical plan, or see what people are doing so I can do the opposite. My inspiration comes from everyday life. There is so much to write about from both sides of the fence from life stuff to personal. I try to be my own muse and let people or experience be the creative muse.

RefinedHype: Last words?

Raheem DeVaughn: I have my new album “The Love and War Masterpeace” coming out on March 2, plus my new brand indie label and blog 368musicgroup.com. I have my new artist Phil Ade and I also have my new mixtape “Mr February aka March Madness”. And my fans can tweet me @Radiorah.

http://www.refinedhype.com/hyped/entry/my-city-raheem-devaughn/

As a child, I dreamed many dreams. To be a doctor, ballet dancer, and most recently to be lawyer, journalist and even a television host but when you ask DC native, Raheem DeVaughn about his dreams, he’ll tell you it has always been to sing. But what do you do with a gift that has the ability to touch millions? You use it to impact the lives of others on and off stage. On stage, DeVaughn has performed from Japan to Jamaica, racking up a host of awards and recognition along the way, including 2 Grammy nominations, several BETJ Awards, and even an ASCAP award. Off stage, the father of 2, can be found mentoring at local schools, participating in charity events as well as supporting local talent through his new independent music label 368 Music Group, of which he is the co founder.

Get to know, Raheem DeVaughn.. The Man Behind the Music..

Songwriter. Recording Artist. Father. Son. Soulful Musician. Superstar. Iconic Philanthropist in the making. On stage, he is what I like to call “one of the hardest working men in show business.” The modern James Brown of our time. With 2 hit major label releases, “The Love Experience” and “Love Behind the Melody” DeVaughn has a deep musical catalog that also includes 8 mixtapes, and several independent releases. The newest mixtape, “Mr. February (March Madness)” was released January 15, 2010, in preparation for his new album, “The Love and War Masterpeace” which hits stores everywhere March 2, 2010. Talk about busy. With DeVaughn’s newest mixtape, available for FREE download on 368 Music Group, his artistic creativity and strong vocal ability allow for remakes of classic’s like “Never Too Much” to still remain soulful favorites. Released for the “devoted fans”, the 23 song mix of original material and classic remakes, is the perfect soundtrack to hold you over until the 3rd LP hits stores .

Click here to read the rest:

http://www.examiner.com/examiner/x-19639-DC-Socialite-Examiner~y2010m1d21-Raheem-DeVaughn-The-man-behind-the-music

Sound-Savvy Goes One-on-One with Raheem Devaughn!!

Posted by Mack On January – 11 – 2010

With a soulful sound beyond his years and a penchant for making records that move the heart and the mind, Raheem Devaughn is on the brink of releasing his third album, The Love And War Masterpeace. Since his first major album in 2005 (The Love Experience) Devaughn has been known as one of the primary voices of the neo-soul movement, a feat that has garnered Grammy nominations as well as rave reviews of his studio music and his live performances – which are truly an experience. Radio Raheem (as he’s known to many fans) sat down with Sound-Savvy to discuss his new album, starting his own label, and the issues he’s faced as an artist with rejection on urban radio and lack of hometown support in the DMV area (DC, MD, VA). Find out what’s in store for you on The Love And War Masterpeace and his plans for the future…

Sound-Savvy: It’s been two years since your last album, what have you been up to since then?

Raheem Devaughn: Man, I’ve started my own independent label, it’s called 368 Music Group. Got a real dope artist, his name is Phil Adé. He released his first mixtape this summer, it’s called Starting on JV.

SS: Yeah I’ve heard that, actually. I listened to it.

Raheem Devaughn: What did you think about it?

SS: Dope man, I’m from the DMV so I like to support all the talent. He’s a dope artist, in fact I actually posted the remix that you guys did to Pretty Girls, Wale’s joint?

Raheem Devaughn: Ahh, yeah cool.

SS: Yeah, I got a lot of good feedback on that, is that going to be an official remix or is that something you just did?

Raheem Devaughn: Man I don’t know what they do, I just put it out. I sent it to him first before and I got his blessing. I saw he retweeted it out and that type of thing so it’s cool. That’s the beauty of the internet, you can do whatever you want and just getr it out to the peopleand they can say “Yo we like this”. Dj’s will play it if they wanna play it and keep it moving ya know?

SS: Definitely.

Raheem Devaughn: Phil is 21, Nigerian, by way of Grenada. So I’ve been working on that. We got his new thing coming up soon. Been working of course on my album, The Love and War Masterpeace, it’s a double CD. That drops February 9th, same day as Sadé (At press time, this date has changed to March 2nd). I’m real excited about that because from a retail standpoint, if I’m correct we’ll be lined up on the shelf right next to each other. So that kinda works out in my favor in a lot of ways. So The Love and War Masterpeace is a double-CD, half love – half socially conscious issues, and 20 songs in its entirety. The whole album is being narrated by Dr. Cornel West.

SS: Oh nice!

Raheem Devaughn: Yeah and then on the album, feature-wise, this’ll be the first album where I have a lot of features. I have Ludacris of course who’s on the Bulletproof record, the first single. I got a record with Walé called Greatness. I think that record is gonna be real special. It’s like Woman Part II. So for all the fans out there that loved the record Woman which was on the last album, I think they’re gonna embrace that.

SS: You got nominated for a Grammy for that one too, right?

Raheem Devaughn: Yeah, exactly and that was my first number one record too.

SS: And what’s the name of this one with Walé again?

Raheem Devaughn: It’s called Greatness. I also have Damian Marley on the album, it’s a record called Can I Live. I have my artist Phil Ade on the album and I have a record with Bun B from UGK and that record is called Wing And A Prayer. Then I got another record that’s real special called Nobody Wins A War which features Jill Scott, Dwele, Anthony Hamilton, Bilal, Chico DeBarge, Chrisette Michele….

SS: All on the same track?

Raheem Devaughn: Yeah, yeah…

SS: Ahh that’s gonna be hot!

Raheem Devaughn: Yeah this is gonna be bananas. I’ve been U-Streaming and playing the records, so if you go through my logs of my previous U-Streams over the last couple of weeks you can actually hear some of the records. I played the record Nobody Wins A War and different stuff.

SS: So tell me about that track, Nobody Wins A War. From the title, it sounds like it’s on a We Are The World type level from the appearances on it and the title, so what’s the theme behind that song?

Raheem Devaughn: It’s basically just self-explanatory, nobody wins a war. I actually wrote it while Bush was in office. Now with Obama making the announcement that he’s sending in 30,000 more troops into Afghanistan, it’s right on time

SS: Yeah, I agree.

Raheem Devaughn: Yeah it’s right on time with the signs of the times, where we are as a people and where we are as a world. I just try to make music that reflects upon the time and get it out to the people and let them make their own observations. It’s a real dope record a basic common sense record when you get into the lyrical content. At the end of the day, who really wins?

SS: Each of your albums has a title with the word ‘Love’ in it, how important is the element of love to you when it comes to making your music?

Raheem Devaughn: Very! From a physical to a spiritual, to an existential level, it’s very important. I think it’ll be how we win the spiritual war in the end. It’ll be what prevails; I think we’re just in some real strange times so I try to push that constantly. I’m like a modern-day hippie without all those drugs.

SS: That’s wassup!

Raheem Devaughn: Yeah so that’s just my vibe.

SS: Your first single Bulletproof, like you said it features Ludacris and that got pretty popular. In fact, I gotta commend you on the video, excellent video. A lot of people really love it. What inspired you to do that kind of record?

Raheem Devaughn: Ahh man, just reflecting upon the times. I’ll be honest with you I’ve been working on this album since I was working on Love Behind the Melody. That record could’ve easily been on my last album. The last album could’ve easily been a double CD because all these records were recorded then. At the time, the label felt like that might’ve been a premature move in terms of my popularity and my movement still building so they held off. Here we are later, entering a new decade, first black president, and the country and the world are in a real crazy place right now. It’s right on time. One thing about me, I constantly record. When my spirit moves me to do something I just do it and I don’t worry about when it comes out.

SS: You’ve probably got a lot of unreleased stuff in your vault then, huh?

Raheem Devaughn: Ahhh man, I got a gang of stuff and if worst comes to worst, all I gotta do is upload and press ‘Send’. (laughs) Ya know? They take too long on it or whatever, I’ll put out a free mixtape. The music is gonna hit the streets one way or the other these days, so it’s all good.

SS: I actually follow you on Twitter and I noticed how you talked about how the record Bulletproof just hasn’t really been added into rotation at a lot of the urban stations. Why do you think that is?

Raheem Devaughn: And it has, but surprisingly it could be a lot bigger. The movement could be a lot bigger. Especially in the city where I live, I live in the land of politics, I’m right in the DC, DMV area so when you get into the (local stations) 92Q, 93.9, 95.5, that’s directly on deck. You’re right there!

SS: Yeah, I couldn’t believe that WKYS wasn’t really trying to support the record, I saw you call them out. Have you gotten a response on that?

Raheem Devaughn: Nah, it is what it is. At this point, it’s a top 10 record in Chicago. They broke the record out in Chicago so it’s gonna do what it’s gonna do. Ultimately urban radio is shooting itself in the foot constantly. And if they continue to do so, it’s just suicide because the people are not feeling the same 20 records in an hour, 24 hours a day. Radio is the last place folks are going nowadays to get a source of music. So when they do a radio date, just that alone lets you know; you see the decline in the audience coming out. If they do like a “Back To School Jam” and it’s nobody in the joint… you’re suffering as a result. It’s the corporate structure, it has destroyed the artistic side of it. I’m not knocking it; I’m not knocking any of my fellow musicians, rappers, artists or whatever. At the end of the day, what I’m saying is it’s about balance. Keep that balance. Give variety and then you’re in-tuned with the people. If you ain’t in-tuned with the people then the people will go to U-Stream, Twitter or whatever to get to the music they wanna get to.

SS: It seems like urban radio shys away from the more socially conscious records, and like you said it IS about balance and sometimes that is what the people want and need to hear.

Raheem Devaughn: Yeah, I mean even the youth! I see the difference that it makes.

SS: I’m from the DMV myself and I know Wale is out of the DMV as well and he also complained about the lack of hometown support. Do you feel there’s a lack of hometown support from the DMV as well?

Raheem Devaughn: Oh definitely. In fact, I’m relocating to Atlanta, because of how they operate down there. It’s a whole other way they move, it’s a whole other love they show. In fact, Atlanta is the first place I ever been to in a club where the DJ didn’t have my record, he went online while he was DJ’ing at this packed club, downloads the record, stops the music in the middle of the joint, puts the record on blast, puts me on blast.

SS: WOW!

Raheem Devaughn: He felt bad that he didn’t have it!

SS: That’s love…

Raheem Devaughn: But it’s like DJ’s that I come in contact with in my own city, they might not have the record, and it’s just like “I don’t have the record, whatever.” But at the end of the day, you don’t take it personal. It’s a business and everybody has their own agenda to do what they gotta do. My thing is, I’m making music and people will find it and connect to it. I must not be doing something wrong because the shows still selling out.

SS: You’re right!

Raheem Devaughn: Yeah, when we take it on the road, that’s the realest feeling ever – knowing that the love is still there.

SS: Yeah, in fact the first time I was introduced to you was the summer of 05 or 06 you were opening for New Edition and you had done a show here in Charlotte so I can definitely attest to your showmanship. Now are you planning to tour with the album or are you on tour now?

Raheem Devaughn: I’m gearing up to do some things. People always solicit me to come out and perform. We’re in transition of creating that Frankie Beverly and Maze movement. If I don’t put out anymore albums after this – bottom line after this album, I’m about to hit the streets. I’ll be able to tour for the rest of my life based upon what I got on this new album and what I’ve put out previously. But I do have a tour coming up and it looks like, God willing, I’ll be taking Melanie Fiona out with me on the road.

SS: Ahhh man! That’s gonna be hot!

Raheem Devaughn: I like her as an artist, so that’s what we’re trying to work out right now.

SS: That is gonna be a hot show, I love Melanie Fiona.

Raheem Devaughn: And from there, I’m tryna jump on the road with Sadé. That’s my personal wish, what I wanna do.

SS: Wow, that sounds big, both of those artists. Sade is legendary and Melanie Fiona is coming up making a huge name for herself right now. So either one of those…

Raheem Devaughn: Oh yeah no doubt. She just got her first number 1. We just gon’ grind it out…

SS: So is that to say that you’re not looking to put anymore albums out?
Raheem Devaughn: Nah, nah nah… I’mma put out. I’m about to start working on a new joint, I got the concept and everything. I’m just saying that I feel like since the label can’t keep up with the speed I put the stuff together, we can put it out and hit the streets. I would love to get in the rhythm of putting out an album once a year.

SS: You’ve nicknamed yourself the R&B Hippie Neo-soul rock star. Will the new album show more of the hippie-rock star side of your persona?

Raheem Devaughn: Oh definitely. I think from the ‘WAR’ aspect, it definitely captured the hippie side. I think this album is gonna show more of my R&B side too. I gave myself that title because each album is gonna more showcase the other sides of me. I think this next joint is gonna more showcase the rock side. It’s gonna be a lot more guitar-driven, the next album, my fourth one.

SS: Of course my female readers wanna know if there are any especially dedicated tracks to the females on this new album…

Raheem Devaughn: Oh yeah definitely. I got a joint dedicated to the females called My Wife. I got a joint called Microphone it’s dedicated to the females. I got a joint that’s called B.O.B. I ain’t gonna let the cat out of the bag just yet but those records I got a record called Bedroom dedicated to the ladies, I got a record called Black and Blue, The Greatness with Wale. So definitely when you get into the LOVE side of this album, it’s what I do, it’s consistent. It’s Raheem Devaughn, doing what he does consistently. I feel like I’m at my A-Game right now with it.

SS: So have you chosen a second single yet?

Raheem Devaughn: Yeah, a joint called – what I choose and what the label chooses, you gotta always hope we’re on the same page. Right now it’s looking like a record called I Don’t Care.

SS: Okay, and what’s the feel of that?

Raheem Devaughn: Oh it’s uptempo, real dope. I think it’s gonna be a huge record for me.

SS: Just to sum it up, what can fans expect from Raheem Devaughn with your future endeavors?

Raheem Devaughn: Man, so much. The album out, heavily touring, in the community, the whole nine. The whole Raheem Devaughn movement. When I’m back in the streets, I’m back in the streets. We bout to come back full steam for the 2010, the takeover is like… it is what it is. When the wings expand some of these cats gonna have to get out the way. It is what it is, it comes with the territory. I step back and let cats have their fun, but I think this album is definitely gonna separate the men from the boys.

SS: Are you listening to any other artists that have captured your ear? Who’s on your iPod?

Raheem Devaughn: Maxwell, I like the new Maxwell album. Dope joint, I gotta go check the concert out too. As far as male artists and music that’s out right now that’s what I’m feelin. And I got my little stash of music, stuff that I’m into.

SS: How do you feel about the Alicia Keys album?

Raheem Devaughn: I haven’t heard it yet. I plan on copping it, I’m gonna actually be doing an event with her in a day or two. Tomorrow we’re doing the Apollo together; she’s doing the Alicia Keys and Friends joint. With me, before I get an artists’ joint, I go to see it live. And then once I connect with it live, I’ll get it. So I’mma have the opportunity to hear her sing some of her new songs live tomorrow and I’m sure I’ll like what I see and then I’ll usually go and get the music.

SS: Cool, well on behalf of Sound-Savvy and Suavv magazine I definitely appreciate you taking the time out to talk to us about your new album The Love And War Masterpeace and it’s hitting stores February 9th right? (At press time, this date has changed to March 2nd)

Raheem Devaughn: Yessir

SS: Cool, well Raheem, take it easy and from one DMV brother to another, I wish you all the best and much success. I’ve seen you on tour a few times so I’m definitely looking forward to your next round of shows so I can catch up with you in Charlotte.

Raheem Devaughn: Oh yes sir, let’s make it happen.

Read more: http://www.sound-savvy.com/2010/01/sound-savvy-goes-one-on-one-with-raheem-devaughn/#ixzz0cKCeDP5M”

Phil Ade performs at the next The Beat Clash!

The Beat Clash is one of few consistent DMV HipHop showcases & Hip Hop Producer Battles.

http://www.twitter.com/TheBeatClash

Check out this interview by Singersroom on Raheem DeVaughn:

We already know the brother can sing, with the way he set the R&B scene on fire with his hits “Customer” and “Woman.” He is back on the scene with his latest hit “Bulletproof”, and is releasing his much anticipated double disk album ‘Love & War’ at the top of next year.

Raheem DeVaughn sits down with Singersroom and take us on a tour of himself, his insight into the government and even his thought process behind why he creates his music and the message he wants to convey to the world. You may have thought you knew, but it’s so much deeper this is the mind of Raheem Devaughn.

Singersroom:You went to the left when everybody is making club songs and inventing sex, why did you write “Bulletproof”? What was your inspiration?

Raheem Devaughn: I’m a different kind of dude…I marched to the beat of a different drum. I feel like balance is important. I have songs, even from my first album I’ve always been on some, socially conscience/love whatever music you know? I just wanted to write the soundtrack to the times: Where we are, where I am as a black man, just some things that I see…I’ve seen. Where we are as a country, where we are globally…Like music and songs, what we do, we can capture history, as artists, so that’s what I really try to do. It’s like a painting with a canvas. We capturing like a moment, that’s what my attempt to do, not only with the single but with the album. Half of the album is on a “Bulletproof” vibe, like socially conscience, touching on different issues and half of the album is “love.” So, I get a chance to get my message across and but I also get a chance to do what I’m blessed to be able to do.

Singersroom: On “A Wing and Prayer” & “Bulletproof” you discuss the social problem of your neighborhood and “God” is this the overall storyline on the album?

Raheem Devaughn: Yeah, everyone I’m not just talking about the same thing. “Bulletproof” is more like these are the problems; this is what we facing…almost like it’s a warning. Then “A Wing and a Prayer” is like okay, we know these are the problems, but I still believe in the power of prayer. Regardless of your faith or whatever your religion is, you got to believe in a higher power, of something positive and living for a will of good, living for a will of God. You can’t be afraid to talk about that in your music. I feel like that could be one of the biggest sins or one of the biggest contradictions, is not acknowledging his name and say his name. Some people don’t…we live in some strange times. There aren’t people that always feel like I feel…they going to talk about who they want to talk about, so I’m going to talk about what I want to talk about.

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http://www.singersroom.com/interview/artist-v-195.asp

“Raheem DeVaughn’s “Bulletproof” was the only song that sounded like the soul Soul Train used to celebrate that was performed on the Soul Train Awards last night. It’s also no coincidence that it was the highlight of the broadcast, with DeVaughn preaching in the spirit of Al Green and Marvin Gaye, talking about tanks and guns and basically every social ill effecting anyone in 2009.”

Via PrefixMag.com http://www.prefixmag.com/media/raheem-devaughn/bulletproof-ft-ludacris-live-at-soul-train-awards-/35185/